Minggu, 04 Januari 2009

Second Line drumming

Second Line drumming, also known as the Traditional New Orleans Funeral March is a New Orleans style of drumming with a long history. It's influences can be heard in Dixieland, Jazz, Funk, Rock and Pop styles.


A traditional New Orleans funeral ceremony involved a band comprised of brass instruments and drums. They would play somber dirges on the way to the cemetery with the mourners following just behind. The group of mourners became known as the "Second Line".
On the way back from the cemetery, the drums (snare & bass) would increase the tempo, playing an open, slightly syncopated march that was MUCH happier than the music heard on the way to the cemetery. (See Fig. 1)


The mourners or "Second Line" would dance in the streets behind the band to release/purge their sorrows. The rhythms played by the drums during this portion of the ceremony became known as "Second Line" rhythms or "street beats".

To fully understand these Second Line rhythms, one needs to spend a great deal of time listening. Every player has their own unique way of playing these grooves, not to mention the vast number of rhythms, use and application over the years. Explaining what Second Line sounds and feels like using only words and notation is a difficult task. I can tell you that they have a rounded or rolling quality to them not unlike contemporary Funk rhythms. Since there are two or more players involved with the snare and bass drum parts, there is a contrapuntal rhythmic approach resulting in patterns that are not symmetrical ... like traditional military marches.

Give The Editors And Drummers Some: DRUM! Magazine Publishes 150th Issue With

Give The Editors And Drummers Some: DRUM! Magazine Publishes 150th Issue With Percussion Mini-Magazine

Eighteen years ago, two drum/percussion magazine professionals, Andy Doershuk and Phil Hood, lost their jobs with a prominent publishing conglomerate. In an economy, that was certainly not thriving, the two men, along with Phil's wife Connie, made a commitment to establish their own drum/percussion magazine business. The result was Enter Music Publishing and over nearly two decades, the company has paradiddled, rolled, and buzzed (never a "rest," mind you) through every challenge: The result? Today, the company's drum and percussion magazines, DRUM!, Traps, and HOW TO PLAY DRUMS, are considered some of the best publications in this highly competitive music trade magazine niche. And Hood and Doerschuk have garnered a strong reputation throughout the drum industry.

That's how Enter Music Publishing, publishers of hip, drum/percussion magazines worldwide, has published the 150th Issue of DRUM! Magazine, it's flagship title. One of its biggest issues, DRUM!'s 150th features the top ten cover stories of the magazine's past fifteen years. Special coverage includes a diverse roster of drummers and percussionists, such as: Pete Escovedo and Sheila E; Chad Smith, Tre Cool, Carter Beauford, Travis Barker, Neil Peart, John Dolmayan, Tommy Lee, Joey Jordioson, Lars Ulrich and many others. The issue, quite possibly, is a great effort toward summarizing modern drum and percussion history in 140 pages.

"I've been reading DRUM! Magazine for several years now and it just keeps getting better and better," said Bart Elliott, founder of http://www.drummercafe.com/, a well-respected online drum community. "I'm especially enjoying the recent 150th Issue, Special Collector's Edition. They did a really good job in terms of selecting the Top 10 DRUM! cover stories for the issue."

"It's been quite a ride - (all puns intended) said Phil Hood, publisher of DRUM! Magazine. "But I don't think we would change anything that we have done in terms of the evolution of DRUM!, from its editorial to layout. We've always been open to changing the magazine's format and content, which has kept us on the cutting edge. I think this issue documents that fact and we're quite proud of our result."

A good example of the magazine's editorial strategy of innovative reporting is the recently added percussion mini-magazine. The Hand Drum section debuted in the middle of 2008 and has been well received by the hand drum community. In the 150th Issue, what could be better than taking a percussive stride with Santana's Percussion Team.

"Hand drumming is the root of all percussion" said. Andy Doerschuk, editor of DRUM! And, "we're looking for ways to integrate it along with all the styles of music we cover, the gear, lessons and other features of interest to drummers. No other drumming magazines are doing anything like that."Well, noted, indeed.

The 150th issue of DRUM! has hit music stores, newsstands and Barnes and Noble worldwide.

Senin, 29 Desember 2008

TAMA Black Cowbells & Holders


TAMA's original black cowbells feature an eyebolt that guarantees secure settings every time-no worry about left to right swinging while you play.

6304 : 4" Cowbell
6305 : 5" Cowbell
6306 : 6" Cowbell
CBH10 : Cowbell Holder
CBH20 : Cowbell Holder

Gong Bass Drums


An early TAMA original, the Gong Bass Drum features a 22" head on a 20" shell with no bottom head. This design produces a sound with excellent sustain that's close in character to a concert tympani. The Gong Bass Drum utilizes 8mm thick Starclassic Bubinga & 7mm thick Maple shell. The aluminum Rollaway stand in black finish offers easy yet secure positioning thanks to another TAMA original idea: Power Tower stand components. Available with Chrome shell hardware only.

Gong Bass drums are available in all the Starclassic Bubinga & Maple finishes.
GSB and SSB finishes will feature a fade rather than a burst.

Steel Mini - Tymps


Another very affordable way to add new colors to your kit, TAMA's Steel Mini-Tymps provide new accents with a clear and "cracky" sound to just about any style of music. Two models are available.
Includes L-Rod(LLT), angle adjustable ratchet arm and multi-clamp(MC66).

MT68ST : 4"x6"+4"x8"
MT810ST : 4"x8"+4"x10"

Octobans


One of TAMA's first original instruments, TAMA Octobans have been played by progressive players from Simon Phillips to Stewart Copeland to Mike Portnoy. Octobans change pitch by using shell length instead of shell diameter. The 6" diameter shells can be tuned melodically and are available in low and high pitch sets.

・Octobans
OCT280N : 280mm (11") depth
OCT301N : 301mm (11 3/4") depth
OCT343N : 343mm (13 1/2") depth


OCT390N : 390mm (15 1/2") depth
OCT443N : 443mm (17 1/2") depth
OCT472N : 472mm (18 1/2") depth
OCT536N : 536mm (21") depth
OCT600N : 600mm (23 1/2") depth


Features

Octoban Sets

7850N2H : 2pc High-pitch set w/HOW29W stand
7850N4H : 4pc High-pitch set w/HOW49W stand
7850N4L : 4pc Low-pitch set w/HOW49W stand

Octoban Stands

HOW49W : for 4pc Octobans
HOW29W : for 2pc Octobans
OA29 : Octoban holder for 2pc (pipe diameter:22.2mm)
OA49 : Octoban holder for 4pc (pipe diameter:22.2mm)

Limited Edition Artwood CUSTOM

Limited Edition Artwood CUSTOM

• Beautiful steel snare drums are hand-engraved by skilled craftsmen, one at a time, piece by piece.
• 1.2mm steel shell with Evans “Power Center Reverse Dot” head for more power and projection.
• Includes specially-designed, plush carry bag.
• 2 sizes available: 5.5x14” & 6.5”x13”.
• Only 120 pieces available in USA.



AM1480BNBDDB

Limited model Artwood Custom snare drum
Size: 8 x 14”
Shell: 7ply 6.0mm 100% Maple
Hoop: 1.6mm triple flanged hoops
(10 holes)
Finish: Dark Desert Burst

reklame

advertiser